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A Tiffany lamp is a type of lamp made of glass and shade designed by Louis Comfort Tiffany or artisans, mostly women, and made (in originals) in his design studio. The glass in the lampshades is put together with the copper-foil technique instead of leaded, the classic technique for stained-glass windows.
Through the combined efforts of Martin Eidelberg (professor emeritus of art history at Rutgers University), Nina Gray (another independent scholar and former curator at the New-York Historical Society), and Margaret K. Hofer (curator of decorative arts, New-York Historical Society), the involvement of Clara Driscoll and other "Tiffany Girls" in designing Tiffany lamps was widely publicized.
Opalescent glass. The term "opalescent glass" is commonly used to describe glass where more than one color is present, being fused during the manufacture, as against flashed glass in which two colors may be laminated, or silver stained glass where a solution of silver nitrate is superficially applied, turning red glass to orange and blue glass to green.
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
We have entered prime baking season, and at 4.5 quarts, this top-seller can hold enough dough to make up to eight dozen cookies at a time (while not taking up much precious kitchen real estate).
Harry designed lamp bases and shades for the Duffner & Kimberly Company. (A note: Oliver's half-brother, Arthur Stone Kimberly (1857-1933), was a director of the Duffner & Kimberly Company, and most likely was an investor, as well.) Oliver Kimberly worked for Tiffany in the window department, but was transferred to the lamp department.
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