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Cambodia's premier performing art form is Khmer classical dance, or Robam Preah Reach Trop, a highly stylized dance form originating from the royal courts.Originally performed and maintained by attendants of the royal palaces, Khmer classical dance was introduced to the general public in the mid-20th century and became widely celebrated as iconic of Cambodian culture, often performed during ...
The word robam in the Khmer language is referred to traditional dance. One of the earliest records of dance (Khmer: robam/ rabam) in Cambodia is from the 7th century, where performances were used as a funeral rite for kings. During the Angkor period, dance was ritually performed at temples.
The dance narrates the Cambodian myth of rain, thunder, and lightning, which is created from the fight between the strong ugly demon male, Ream Eyso (wearing a long-sleeved shirt), and the beautiful female goddess, Moni Mekhala (wearing a short-sleeved shirt), for the control of the magical crystal ball owned by Moni Mekhala.
Khmer classical dance training was resurrected in the refugee camps in eastern Thailand with the few surviving Khmer dancers. Many dances and dance dramas were also recreated at the Royal University of Fine Arts in Cambodia. In 2003 it was inducted into the UNESCO Intangible Cultural Heritage Lists.
During the Angkor period, dance was ritually performed at temples. [citation needed] The repertoire of the female dance that was famously known in the West as Royal Ballet of Cambodia is composed of about 60 dance (pure dance pieces) and among them Robam Sovann Maccha, extracted from Reamker is an episode of great popularity among Cambodian ...
The Trot dance is the most popular Mon-Khmer traditional dance usually performed by groups during the Sangkran Khmer New Year festival. [1]It is the pantomime of a deer hunt imitating the beings which are being called upon to be attracted to the human realm, one of the fundamental goals of the sacred dances of Cambodia.
In harmony with the Indian association of dance with apsaras, Khmer female figures that are dancing or are poised to dance are considered apsara; female figures, depicted individually or in groups, who are standing still and facing forward in the manner of temple guardians or custodians are called devatas.
Royal dance in the form of Lakhon Khol means that the king royal dance is a form of dance masks. The evolution of Cambodian dance art is linked to nature, social class, and Brahmin religion, the original religion of the country India, Hindu religion, which is related to the story incorporated into the art of Cambodian dance, the liveliness of ...