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The resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ. In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely ...
G Schiller, Iconography of Christian Art, Vol. II,1972 (English trans from German), Lund Humphries, London, figs 471–75, ISBN 0-85331-324-5 Emile Mâle , The Gothic Image: Religious Art in France of the Thirteenth Century, English translation of 3rd ed, 1913, Collins, London (and many other editions), ISBN 978-0064300322
General resurrection or universal resurrection is the belief in a resurrection of the dead, or resurrection from the dead (Koine: ἀνάστασις [τῶν] νεκρῶν, anastasis [ton] nekron; literally: "standing up again of the dead" [1]) by which most or all people who have died would be resurrected (brought back to life).
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Resurrection of Lazarus by Mauricio García Vega. Well known in Western culture from their respective biblical tales, both figures named Lazarus (Lazarus of Bethany and the Beggar Lazarus of "Lazarus and Dives"), have appeared many times in music, writing and art. The majority of the references are to Lazarus of Bethany.
Christ's Appearance to Mary Magdalene after Resurrection (late 1840s - 1850s, State Tretyakov Gallery, from the "Biblical Sketches") While praising the artist's skill in depicting clothing and other details, critics noted the excessive stateliness of the figures, especially Christ, whose figure was compared to the works of the sculptor Bertel ...
Paul (c. 53–54) Mark 16:1-8 (66–70) Matthew (70-110) Luke (80–110) Acts (80-90) John (90–110) Mark Longer ending (c. 2nd-4th cent.) Mark Shorter ending
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