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Blue pigments are natural or synthetic materials, usually made from minerals and insoluble with water, used to make the blue colors in painting and other arts. The raw material of the earliest blue pigment was lapis lazuli from mines in Afghanistan, that was refined into the pigment ultramarine.
Blue has been an important colour in art and decoration since ancient times. The semi-precious stone lapis lazuli was used in ancient Egypt for jewellery and ornament and later, in the Renaissance, to make the pigment ultramarine, the most expensive of all pigments. [3]
The China blue process could make sharp designs, but it could not produce the dark hues possible with the pencil blue method. Around 1880, the 'glucose process' was developed. It finally enabled the direct printing of indigo onto fabric and could produce inexpensive dark indigo prints unattainable with the China blue method.
Methylthioninium chloride, commonly called methylene blue, is a salt used as a dye and as a medication. As a medication, ...
Ultramarine is a deep blue color pigment which was originally made by grinding lapis lazuli into a powder. [2] Its lengthy grinding and washing process makes the natural pigment quite valuable—roughly ten times more expensive than the stone it comes from and as expensive as gold.
Cobalt glass—known as "smalt" when ground as a pigment—is a deep blue coloured glass prepared by including a cobalt compound, typically cobalt oxide or cobalt carbonate, in a glass melt. Cobalt is a very intense colouring agent and very little is required to show a noticeable amount of colour.
YInMn Blue (/jɪnmɪn/; for the chemical symbols Y for yttrium, In for indium, and Mn for manganese), also known as Oregon Blue or Mas Blue, is an inorganic blue pigment that was discovered by Mas Subramanian and his (then) graduate student, Andrew Smith, at Oregon State University in 2009.
Prussian blue pigment is significant since it was the first stable and relatively lightfast blue pigment to be widely used since the loss of knowledge regarding the synthesis of Egyptian blue. European painters had previously used a number of pigments such as indigo dye , smalt , and Tyrian purple , and the extremely expensive ultramarine made ...