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2. Hatmaking - Wikipedia

   en.wikipedia.org/wiki/Hatmaking

   In the blocking process of a hat, milliners used push pins and a hammer to hold the adjustable string along the crown's collar and the brim's edge. [10] A floral-making iron is a unique iron used by milliners to create different floral petals or leaves as the ornament for hat decoration. In the past, candles were used to heat these irons with ...

3. Stetson - Wikipedia

   en.wikipedia.org/wiki/Stetson

   Stetson, then 35 years old and in better health, returned east and established his own hat firm in Philadelphia, Pennsylvania, which produced high-quality hats for outdoor use. After producing some initial designs based on popular styles of the day, Stetson decided to create a hat based on his experiences in the American West, which he called ...

4. Fashion design - Wikipedia

   en.wikipedia.org/wiki/Fashion_design

   Fashion design is the art of applying design, aesthetics, clothing construction and natural beauty to clothing and its accessories. It is influenced by culture and different trends and has varied over time and place.

5. Herbert Johnson (hatters) - Wikipedia

   en.wikipedia.org/wiki/Herbert_Johnson_(hatters)

   The firm's line of business was to design and commission headgear from hatters in London and the hatting workshops of Luton and Stockport. The firm made a name for its silk-velvet top hats. These hats had a "gossamer body", in other words one with a lightweight shell of fine muslin or cambric coated with shellac. The hatters Lincoln and Bennett ...

6. Lids (store) - Wikipedia

   en.wikipedia.org/wiki/Lids_(store)

   Lids Corp. was founded in Boston by Douglass Karp (son of real estate developer Stephen R. Karp) and Ben Fischman (son of real estate developer Steven Fischman) in 1993. [3] [4] Hat World, Inc. was founded in 1995 by George Berger, Glenn Campbell and Scott Molander, with its headquarters office in Sioux Falls, SD.

7. Stephen Jones (milliner) - Wikipedia

   en.wikipedia.org/wiki/Stephen_Jones_(milliner)

   The exhibition was based predominantly upon hats from the V&A's collections and Stephen Jones's own archive, but also included loans from museums and collections around the world. [4] The work of up-and-coming milliners such as Noel Stewart and Nasir Mazhar was featured alongside hats by Philip Treacy , Mitza Bricard for Dior, Claude Saint-Cyr ...