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  2. Preludes (Messiaen) - Wikipedia

    en.wikipedia.org/wiki/Preludes_(Messiaen)

    Polymodal, consisting of a blue-orange mode with a chordal ostinato and cascades of chords, and a violet-purple mode having a copper timbre. Note the pianistic writing, composed of triple notes, rapid passages in chords, canon in contrary motion, hand crossing, various staccatos, brassy louré, gem effects. 6 Cloches d'angoisses et larmes d'adieu

  3. Music of Mesopotamia - Wikipedia

    en.wikipedia.org/wiki/Music_of_Mesopotamia

    Music was a normal part of social life in Mesopotamia [14] and was used in many secular contexts. [15] Music played important roles at funerals, [16] among royalty, [17] and was also depicted in relation to sports and sex. [18] Mesopotamian love songs, which represented a distinct genre of music, nevertheless shared features in common with ...

  4. Prelude in C-sharp minor (Rachmaninoff) - Wikipedia

    en.wikipedia.org/wiki/Prelude_in_C-sharp_minor...

    The piece opens with a three-note motif at fortissimo that introduces the C-sharp minor tonality that dominates the piece. The cadential motif repeats throughout. In the third bar, the volume changes to a piano pianissimo for the exposition of the theme. The second part is propulsive and marked Agitato (agitated), beginning with highly ...

  5. List of musical symbols - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_symbols

    Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...

  6. Mystic chord - Wikipedia

    en.wikipedia.org/wiki/Mystic_chord

    In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).

  7. 20 Christmas hymns that celebrate the spirit of the season - AOL

    www.aol.com/news/20-christmas-hymns-celebrate...

    Inspired by a French Christmas carol of the mid 1800s and set to the tune of the ancient hymn “Gloria,” this song is a glorious musical celebration of the birth of Christ.

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