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Slipstream is a literary genre or category of speculative fiction that blends together science fiction, fantasy, and literary fiction [1] or does not remain in conventional boundaries of genre and narrative.
The book had a negative reception from some literary critics: The Economist, for instance, called Battlefield Earth "an unsubtle saga, atrociously written, windy and out of control" [6] while in the science fiction magazine Analog, Thomas Easton criticized it as "a wish-fulfillment fantasy wholly populated by the most one-dimensional of ...
Currently consists of two science fiction novels (Hammerfall and Forge of Heaven). Gezeitenwelt: Der Wahrträumer: 2002 Bernhard Hennen and others Alternate world hit by a comet that forms the setting for a series of post-apocalyptic novels Gor: Tarnsman of Gor: 1966 John Norman "Counter-Earth", sword and planet setting for 30 novels. Its ...
Apocalyptic fiction is a subgenre of science fiction that is concerned with the end of civilization due to a potentially existential catastrophe such as nuclear warfare, pandemic, extraterrestrial attack, impact event, cybernetic revolt, technological singularity, dysgenics, supernatural phenomena, divine judgment, climate change, resource depletion or some other general disaster.
Lucas considers also the films that illustrate the effect of the personal computer on science fiction from 1980 onwards with the blurring of the boundary between the real and the virtual, in what he calls the "cyborg effect". He cites as examples Neuromancer, The Matrix, The Diamond Age, and Terminator. [20]
Literary fiction is often used as a synonym for literature, in the exclusive sense of writings specifically considered to have considerable artistic merit. [6] Literary fiction is commonly regarded as artistically superior to genre fiction, the latter being a form of commercial fiction written to provide entertainment to a mass audience. [7] [8 ...
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Some literary critics and academics have classified escapist fiction and genres of science-fiction, thriller, mystery, romance and fantasy, as sub-literary and unworthy of being regarded as true literature. [6] Early critics complained that escapist fiction as a literary genre misleads readers in terms of the harsh truths of reality.
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