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The Lost Boys is a 1987 American comedy horror film directed by Joel Schumacher, produced by Harvey Bernhard with a screenplay written by Jeffrey Boam, Janice Fischer and James Jeremias, from a story by Fischer and Jeremias.
City of Palm Springs: Film Permits; Greater Palm Springs Film Alliance & Film Office, Inc. Riverside County Film Commission, part of the State of California Film Commission Archived February 2, 2014, at the Wayback Machine; Desert Film Society – Palm Springs; Movies filmed in Palm Springs
The Lost Boys is an American multimedia franchise that began with the 1987 Warner Bros. film The Lost Boys, written by Janice Fischer, James Jeremias, and Jeffrey Boam. The film was directed by Joel Schumacher and produced by Harvey Bernhard .
[23] Vince Mancini of Uproxx gave the film a positive review, saying: "Palm Springs is the perfect kind of art-comedy. It comes on like a brilliantly silly little lark and eventually lands on you like a ton of bricks." [24] Metacritic summarized various critics' end-of-year top lists, and ranked Palm Springs in 12th place overall. [25]
The Lost Boys, a 1987 comedy/horror film directed by Joel Schumacher and starring Kiefer Sutherland The Lost Boys, a media franchise originating with the film; Lost Boys: The Tribe, a 2008 film sequel; Lost Boys: The Thirst, a 2010 film sequel; Lost Boys of Sudan, a 2003 documentary directed by Megan Mylan and Jon Shenk
This is a list of films and TV series set in Palm Springs, ... Screenplay – 1984 gay pornographic video [31] Slow Burn – 1986 ... "Old Palm Springs Movies" (2001 ...
Lost Boys: Reign of Frogs; The Lost Boys; The Lost Boys (comic book) The Lost Boys (novel) The Lost Boys (soundtrack) Lost Boys: The Thirst; Lost Boys: The Tribe; Lost in the Shadows (song) Lost in the Shadows: The Story of The Lost Boys
Film critic Roger Ebert put this on his "Great Movies" list and wrote in his Chicago Sun-Times review: "After Dark, My Sweet is the movie that eluded audiences; it grossed less than $3 million, has been almost forgotten, and remains one of the purest and most uncompromising of modern film noir. It captures above all the lonely, exhausted lives ...