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Krishna and Radha, attributed to Nihal Chand, a master of the Kishangarh miniature school trained at the imperial court in Delhi. [1]Apart from the architecture of Rajasthan, the most notable forms of the visual art of Rajasthan are architectural sculpture on Hindu and Jain temples in the medieval era, in painting illustrations to religious texts, beginning in the late medieval period, and ...
Marwar painting is a traditional form of Indian painting that originated in the city of Jodhpur in the Indian state of Rajasthan. Even though it emerged under the larger umbrella of Rajput painting, Marwar School created an original style as it was partly influenced by Mughal art and showcased many original elements. Marwar school of painting ...
Kathputli is a traditional string puppet performance, which is native to Rajasthan, and is a key feature of village fairs, religious festivals and social gatherings in Rajasthan. Some scholars believe that the art of Kathputli is thousands of years old. [9] Mentions of Kathputli have been found in Rajasthani folk tales, ballads and even folk songs.
Similar puppets which are rod-puppets, are also found in west Bengal. But it is truly rajasthan's amazing kathputli which made India one of the first countries to invent its traditional puppetry. Tribes of Rajasthan have been performing this art from the ancient times and it has become an eternal part of Rajasthani culture diversity and ...
The three basic features associated with this art form are: the epic story of Pabuji, the Rathore chief of Rajasthan in the 14th century, who is extolled as an incarnation of Hindu God, and worshipped by the Rabari tribals of Rajasthan; the Phad or Par, which is a long scroll painting (or sewn) made on cloth, with the martial heroics of Pabuji ...
The art of Phad painting was traditionally practiced exclusively by the Joshi community. However, in 1960, Shree Lal Joshi established a school called Joshi Kala Kendra to teach this art form to everyone. Today, the school is known as Chitrashala and is located in Bhilwara city, Rajasthan. [6] [7]
In Dhola-Maru, the popular Rajasthani story, Dhola and his wife Maru are shown on a camel fleeing from the wicked bandit, Umra-Sumra. Maru turns to let fly a stream of arrows at him. Punjabi tales such as Heer-Ranjha, Sohni-Mehwal, Sassi-Punu and Binjo-Sorath all feature but the Middle Eastern Sufi tale, Laila-Majnu, is one of the earliest to ...
Mandana art work on the walls of Rajasthani mud huts from Shilpgram, Udaipur In recent times, the practice has become less visible and has been called outdated. [ 2 ] Conservation efforts, such as those of Koshalya Devi from Baran , have been engaged in preserving and conserving the traditional white chalk on red background Mandana drawings. [ 2 ]