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"Scared to Live" is a song by the Canadian singer-songwriter the Weeknd from his fourth studio album After Hours. [1] He performed the song for the first time on March 8, 2020, with American musician Oneohtrix Point Never , during an episode of Saturday Night Live . [ 2 ]
"Snowchild" is a song by the Canadian singer-songwriter the Weeknd from his fourth studio album After Hours. [1] It was released on March 20, 2020, alongside the rest of its parent album. [ 2 ] A music video for the song was released on July 22, 2020. [ 3 ]
The song's catchiness belies its melancholy, a sophisticated combination that's a testament to Tesfaye's depiction of a relationship that results in a confusing morass of emotions that we seldom process them in a linear fashion: anger, sadness, gratitude, elation, loneliness.
The lyrics to "Scared" reflect Lennon's anxieties resulting from his separation at the time from his wife Yoko Ono. [1] [2] The theme is similar to that of his Beatles' song "Help!", in that it expresses the pain Lennon was feeling at the time of its writing and exposes his insecurities.
The lyrics of "Repeat After Me" are summarized to "you love me, not him" by Pitchfork, with its sound being described by Rolling Stone as a "wounded power ballad overlaid with spacey bubble-prog keyboards." [3] [4] The song's intro features garbled vocals from the Australian musician Kevin Parker, who is one of the song's producers. [5]
"Scared to Be Lonely" is a song recorded by Dutch DJ Martin Garrix and English and Albanian singer Dua Lipa. It was written by Giorgio Tuinfort, Nathaniel Campany, Kyle Shearer, and Georgia Ku, while the production was handled by Tuinfort, Valley Girl, and Lorna Blackwood.
Too Weird to Live, Too Rare to Die! is the fourth studio album by American pop rock band Panic! at the Disco. The album was released on October 8, 2013 by Decaydance and Fueled by Ramen . Recorded as a trio, the album was produced by Butch Walker , and is the only album to feature bassist Dallon Weekes since he officially joined the band in 2010.
[11] Billboard named it a "song that defined the 2010's" calling the song "intoxicating and menacing", stating it is "the sound of a party degrading in real time", writing that the journey the Weeknd has in the song, from "kinda creepy but mostly chill" to "a degenerate nightmare [of a gathering of merrymakers]" only works as it does because ...