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Barbara Brandon-Croft (born November 27, 1958) [1] is an American cartoonist, [2] best known for creating the comic strip Where I'm Coming From, and for being the first nationally syndicated African-American female cartoonist. [3] [4] [5]
Dana Claire Simpson, [1] is an American cartoonist, best known as the creator of the comic Phoebe and her Unicorn, as well as the long-running webcomic Ozy and Millie.Other works created by Simpson include the political commentary cartoon I Drew This and the alternate reality drama comic Raine Dog.
List of early webcomics; 1995 to 1999 in webcomics; 2000 in webcomics; 2001 in webcomics; 2002 in webcomics; 2003 in webcomics; 2004 in webcomics; 2005 in webcomics
Toggle Comic books subsection. 1.1 Anthology series. ... This is a list of comic books, comic strips, and webcomics that feature anthropomorphic animals. Comic books
Br'er Fox in the Disney comics featuring Br'er Rabbit. Bystrouška, a vixen from the comic strip Vixen Sharp-ears by the opera The Cunning Little Vixen by Rudolf Těsnohlídek and Stanislav Lolek, later adapted into an opera by Leoš Janáček as The Cunning Little Vixen [1] Fiona Fox, from Sonic the Hedgehog. Faux Pas. Freddy and Ferdie Fox. [2]
Blanche Dumoulin – made comics for Spirou and was the wife of Rob-Vel [239] *Marianne Duvivier [240] Liliane Funcken – made comics for the magazine Tintin with her husband Fred [241] Dominique Gillain [242] Jeanne and Laure Hovine – Nic et Nac, notable for being the first Belgian female comics artists [243] Ilah – Cordelia [244]
T.H.E. Fox is a furry webcomic by Joe Ekaitis which ran from 1986 [1] [2] to 1998. It is among the earliest online comics, predating Where the Buffalo Roam by over five years. [1] [2] T.H.E. Fox was published on CompuServe, Q-Link and GEnie, [3] and later on the Web as Thaddeus. [4]
Good Girl Art (GGA) is a style of artwork depicting women primarily featured in comic books, comic strips, and pulp magazines. [1] The term was coined by the American Comic Book Company, appearing in its mail order catalogs from the 1930s to the 1970s, [2] and is used by modern comic experts to describe the hyper-sexualized version of femininity depicted in comics of the era.