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A vibrato system on a guitar is a mechanical device used to temporarily change the pitch of the strings. It adds vibrato to the sound by changing the tension of the strings, typically at the bridge or tailpiece of an electric guitar using a controlling lever, which is alternately referred to as a whammy bar, vibrato bar, or tremolo arm. [1]
S-Style – replaces a Fender Stratocaster or similar guitar’s tremolo. The Stetsbar's base plate clamps into the existing tremolo cavity. Stetsbar tremolo/vibrato system mounted on a Fender Stratocaster guitar; Hard Tail – mounts on guitars with a 5-hole hard tail mount point, such as certain Fender Stratocasters and Squier Telecasters.
The floor-based Model 601 Tremolo Control [1] contained a 120V AC motor that rocked a small sealed bottle fitted with two electrical contacts and containing electrically conductive fluid. The variable frequency of the "make and break" action of the mechanism created a type of tremolo effect. Bo Diddley and many other artists used this device.
Bigsby was inspired to create a new vibrato system after being tasked by Merle Travis to repair the Kauffman Vibrola on his Gibson L-10. [2] The Bigsby system would debut in 1951, [2] with the first example going to Travis. [3] By the mid-1950s, Bigsby had ceased production of his own guitars and began only producing a range of vibrato ...
The "synchronised tremolo" was introduced in 1954 on the first Stratocaster guitar. The only previously successful "tremolo arm" was the Bigsby vibrato tailpiece, often simply called a "Bigsby". In 1958, Fender reinforced his usage with the "Fender floating tremolo" on the Jazzmaster and some subsequent guitars. The "synchronised tremolo ...
Floyd D. Rose first started working on what became the Floyd Rose Tremolo in 1976. [3] He was playing in a rock band at the time, inspired by Jimi Hendrix and Deep Purple.He frequently used the vibrato bar but could not make his guitars stay in tune using traditional approaches like lubricating the nut, or winding the strings as little as possible around the tuning pegs.
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The first self-standing electronic tremolo effects unit may have been produced by DeArmond, in which a motor shakes a canister containing a "hydro-fluid" (not mercury as some people assume), oscillating the canister containing an electrolytic fluid that sends the signal to ground. Earliest references to DeArmond's tremolo unit date to 1941. [2]
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