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Pie Jesu" (/ ˈ p iː. eɪ ˈ j eɪ. z uː,-s uː / PEE-ay-YAY-zu; original Latin: "Pie Iesu" /ˈpi.e ˈje.su/) is a text from the final (nineteenth) couplet of the hymn "Dies irae", and is often included in musical settings of the Requiem Mass as a motet. The phrase means "pious Jesus" in the vocative.
The orchestration of the final version comprises mixed choir, solo soprano, solo baritone, two flutes, two clarinets (only in the Pie Jesu), two bassoons, four horns, two trumpets (only in the Kyrie and Sanctus), three trombones, timpani (only in the Libera me), harp, organ, strings (with only a single section of violins, but divided violas and ...
The best-known part of Lloyd Webber's Requiem, the "Pie Jesu" segment, combines the traditional Pie Jesu text with that of the Agnus Dei from later in the standard Requiem Mass. It was originally performed by Sarah Brightman , who premiered the selection in 1985 in a duet with boy soprano Paul Miles-Kingston ; a music video of their duet was ...
Requiem is a classical work by Karl Jenkins, first recorded and performed in 2005.It was premièred at Southwark Cathedral on 2 June 2005, by the West Kazakhstan Philharmonic Orchestra and Adiemus percussion and brass, conducted by the composer.
Rutter completed his Requiem in 1985. It bears the dedication "in memoriam L. F. R.", [1] John Rutter's father, who had died the previous year. [2]He conducted the first performance on 13 October 1985 at Lovers' Lane United Methodist Church, Dallas, Texas, where the director of Music Allen Pote prepared the Sanctuary Choir and orchestra.
Then Pappenheim says faster "Pie Jesu Domine"s. It finally ends with Ferrier saying the line "Blow the wind, southerly" which echoes throughout. The song consists of many sixteenth notes.
Stellantis is recalling more than 300,000 Ram Heavy Duty pickup trucks because a faulty part could cause certain braking and tracking systems to fail. The Netherlands-based automaker said the ...
Some text extracts have been set to music independently, such as the Pie Jesu in the settings of Fauré (1880s), Dvořák (1890s), Duruflé (1940s) and Rutter (later). Pie Jesu are late words in the Dies irae and they are followed by the final words of the Agnus Dei: