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Johann Pachelbel's Canon in D major, written in the mid-Baroque period and revived from obscurity in the 1960s, has been credited with inspiring pop songs. Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work.
In 2012, the UK-based Co-Operative Funeralcare compiled a list of the most popular, classical, contemporary and religious music across 30,000 funerals. Canon in D placed second on the Classical chart, behind Edward Elgar's "Nimrod". [4] The Trans-Siberian Orchestra's 1998 song "Christmas Canon" is a "take" on Pachelbel's Canon. [31]
the Canon is famously difficult to pin to a timeline, so I'll just add Pachelbel's lifespan. "Pachelbel's Canon, a musical composition by Johann Pachelbel" sounds incredibly awkward. Drop the "musical"—in fact, I would just say something like "Johann Pachelbel wrote his Canon in D in the mid-Baroque.... and it has since been...". See what you ...
Hexachordum Apollinis (PWC 193–8, T. 211–6, PC 131–6, POP 1–6) is a collection of keyboard music by Johann Pachelbel, published in 1699. It comprises six arias with variations, on original themes, and is generally regarded as one of the pinnacles of Pachelbel's oeuvre.
Major Pachelbel's Canon: I–V–vi–iii–IV–I–IV–V: 5: Major Passamezzo antico: i–VII–i–V–III–VII–i–V–i: 4: Minor Passamezzo moderno: I–IV–I–V–I–IV–I–V–I: 3: Major I–V–vi–IV progression: I–V–vi–IV: 4: Major Ragtime progression: III 7 –VI 7 –II 7 –V 7: 5: Major Rhythm changes: I-iv-ii-V ...
In spite of the song's title, it is not a blues but rather a folk song that uses the same chord pattern as Pachelbel's Canon. [1] Dylan scholar and musicologist Eyolf Ostrem notes that "[m]usically, it is a close cousin of "'Cross the Green Mountain" with which it shares the ever-descending bass line and some of the chord shadings that never manage to decide whether they're major or minor (and ...
The song is set to the tune of Johann Pachelbel's Canon in D Major with new lyrics added. The style is a departure from TSO's usual rock arrangements, instead being performed in the style of a children's choir with light accompaniment from piano and strings.
The song is based on the harmonic sequence and melody of "Canon in D" by Johann Pachelbel. [12] [13] The song is in the key of B major, and Levine's vocals span from D#4 to the high note of G#5. The song has a tempo of 91 beats per minute. [14]
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