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In music, sharp – eqv. dièse (from French) or diesis (from Greek δίεσις) [a] – means higher in pitch. The sharp symbol, ♯, indicates that the note to which the symbol is applied is played one semitone higher. The opposite of sharp is flat, indicating a lowering of pitch.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In most cases, a sharp raises the pitch of a note one semitone while a flat lowers it one semitone. A natural is used to cancel the effect of a flat or sharp. This system of accidentals operates in conjunction with the key signature, whose effect continues throughout an entire piece, or until another key signature is indicated.
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
In modern Western music notation, a natural (♮) is a musical symbol that cancels a previous sharp or flat on a note in the written music. The natural indicates that the note is at its unaltered pitch .
For example, some 17th- and 18th-century theorists used the term to describe the distance between a sharp and enharmonically distinct flat in mean-tone temperaments (e.g., D ♯ –E ♭). [2] In the quarter-tone scale, also called 24-tone equal temperament (24-TET), the quarter tone is 50 cents , or a frequency ratio of 24 √ 2 or ...
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F Sharp notes. F ♯ (F-sharp; also known as fa dièse or fi) is the seventh semitone of the solfège. It lies a chromatic semitone above F and a diatonic semitone below G, thus being enharmonic to sol bémol or G ♭ (G-flat) in 12 equal temperament. However, in other temperaments, such as quarter-comma meantone, it is not the same as G ♭.
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