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Ten Blake Songs" are poems from Blake's "Songs of Innocence and of Experience" and "Auguries of Innocence", set to music by Ralph Vaughan Williams in 1957. "Tyger" is both the name of an album by Tangerine Dream, which is based on Blake's poetry, and the title of a song on this album based on the poem of the same name.
Lingual Music, a double CD collection of her work, was released posthumously in 2007 by Paradigm Discs in the UK. Her archive is now held at Goldsmiths, University of London. The United States has produced accomplished sound poets as well: Tracie Morris, from Brooklyn, New York, began presenting sound poetry in the mid-1990s. Her live and ...
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Art songs and other musical settings based on Johann Wolfgang von Goethe's poetry Pages in category "Musical settings of poems by Johann Wolfgang von Goethe" The following 35 pages are in this category, out of 35 total.
That is the key to Gorski's performance poetry: the marriage of poetry to music written specifically to fit poems written for vocal performance. [8] The other type of performance poetry Gorski practiced is without music and tied to conceptual art, but that was at appearances in smaller venues that could not accommodate her band. [9]
A rondeau (French:; plural: rondeaux) is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries.
Sung poetry is a broad and imprecise music genre widespread in European countries, such as Poland and the Baltic States especially Poland and Lithuania, to describe songs consisting of a poem (most often a ballad) and music written especially for that text. The compositions usually feature a delicate melody and scarce musical background, often ...
The personal nature of many of the verses of the Nine Lyric Poets led to the present sense of "lyric poetry" but the original Greek sense of "lyric poetry"—"poetry accompanied by the lyre" i.e. "words set to music"—eventually led to its use as "lyrics", first attested in Stainer and Barrett's 1876 Dictionary of Musical Terms. [5]
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