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White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
the shoulder or secondary lekythos, a variation on the standard type produced from the mid 5th century on. These have a fuller, swelling body; [5] most are decorated with the white ground technique and measure around 20 cm; the squat lekythos, usually less than 20 cm in height, with a rounded belly and a flat base;
Landesmus., 242 (B 120) and Odessa, A. Mus.]. Psiax also knew the white ground technique, as well as coral red pottery techniques. [1] His signature is only known from two red-figure alabastra at Karlsruhe and Odessa, both also signed by the potter Hilinos. Three of the vases by him are signed by the potter Andokides.
The white-ground technique was developed at the end of the 6th century BC. Unlike the better-known black-figure and red-figure techniques, its coloration was not achieved through the application and firing of slips but through the use of paints and gilding on a surface of white clay. It allowed for a higher level of polychromy than the other ...
White ground technique lekythos attributed to the Sappho Painter depicting Achilles watching out for Polyxena. Louvre, Paris. Sappho Painter was an Attic black-figure vase painter, active c. 510–490 BCE. [1] The artist's name vase is a kalpis depicting the poet Sappho, currently held by the National Museum, Warsaw (Inv. 142333).
red-figure style, white ground technique The Achilles Painter was a vase-painter active ca. 470–425 BC. His name vase is an amphora , Vatican 16571, in the Vatican Museums depicting Achilles and dated 450–445 BC.
The Reed Painter worked in true white-ground technique, in which polychrome figures are outlined on the white ground, first in a dilute brown glaze and then in a more-fluid matt black or red. Women's skin was painted white on white, with solid colors on garments.
Cylix of Apollo with chelys lyre and his raven, pouring libation, white-ground bowl, circa 480 BC. Delphi, Archaeological Museum. The Pistoxenos Painter was an important ancient Greek vase painter of the Classical period. He was active in Athens between c. 480 and 460 BC. Many vases have been attributed to his hand on the basis of style.