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Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending , shimmering vibrato , and staccato picking that influenced many later electric guitar blues players.
B. B. King (1925–2015) was an American blues musician whose recording career spanned 1949–2008. As with other blues contemporaries, King's material was primarily released on singles until the late 1950s–early 1960s, when long playing record albums became more popular.
The Rolling Stone Jazz Record Guide [2] Blues on Top of Blues is the fourteenth studio album by B.B. King, released in 1968 on BluesWay BLS-6011.
Riding with the King was the first collaborative album by Eric Clapton and B.B. King. [1] [2] They performed together for the first time at Cafe Au Go Go in New York City in 1967 when Clapton was 22 and a member of Cream, but did not record together until 1997 when King collaborated with Clapton on the song "Rock Me Baby" for his duets album, Deuces Wild.
Blues Is King is a live album by blues musician, ... The Rolling Stone Jazz Record Guide [2] ... The album title influenced the Marshall Crenshaw song of the same ...
"You Know I Love You" is a song written and recorded by B.B. King. Released on RPM Records in 1952, it was King's second No. 1 single on the Billboard R&B chart. [1] [2] King's friend and collaborator Ike Turner played piano on the original recording. [3] The song was included on King's debut album Singin' The Blues in 1957. [4]
D r. Martin Luther King Jr., a pivotal figure in the civil rights movement, dedicated his life to advocating for racial harmony and the realization of the American dream for all.. As the U.S ...
B.B. King recorded his version of "The Thrill Is Gone" in June 1969 for his album Completely Well, released the same year. King's version is a slow 12-bar blues notated in the key of B minor in 4/4 time. [4] The song's polished production and use of strings marked a departure from both the original song and King's previous material.