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The MV7 was rated the best podcasting microphone by Rolling Stone in their 2021 Audio Awards. [1] Designed to be mounted on a stand or boom arm, the MV7 can send its audio signal through a USB cable to a Macintosh or Windows computer, or to Android or iOS devices. To augment the microphone's capabilities, Shure supplies Motiv, a free-to-use ...
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The H4 is shorter than a pencil Field recording with H4 on a simple tripod H2 and H4 with 10 eurocents for scale. The H4 Handy Recorder is a handheld digital audio recorder from Zoom, featuring built-in condenser microphones in an X-Y stereo pattern, [1] priced from around US$280 depending upon memory capacity as of 2011.
The broadcasting field used a variety of microphones including the German Sennheiser MD 421 (1960) and the American SM5 (1966) by Shure. [9] When the RE20 was released in 1968, it was adopted by radio and television announcers for its natural sound and consistent level throughout the pickup pattern.
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A stereo microphone is often used for broadcast applications or field recording where it would be impractical to configure two separate condenser microphones in a classic X-Y configuration (see microphone practice) for stereophonic recording. Some such microphones have an adjustable angle of coverage between the two channels.
Field recording is typically recorded in the same channel format as the desired result, for instance, stereo recording equipment will yield a stereo product. In contrast, a multitrack remote recording captures many microphones on multiple channels, later to be creatively modified, augmented, and mixed down to a specific consumer format.
The microphone kit (two SM57 microphones, windscreens, microphone stands, and black right-angle XLR cables) is referred to as the VIP/high-profile microphone kit. The SM57 is a popular choice of musicians due to its sturdy construction and ability to work well with instruments that produce high sound pressure levels , such as percussion ...
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