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Elevator music (also known as Muzak, piped music, or lift music) is a type of background music played in elevators, in rooms where many people come together for reasons other than listening to music, and during telephone calls when placed on hold.
Muzak may also be referred to as "elevator music" or "lift music" (see also Music on hold). Though Muzak Holdings was for many years the best-known supplier of background music, and is commonly associated with elevator music, the company itself did not supply music to elevators. [6]
There is a specific sound associated with elevator music, but it usually involves simple instrumental themes from "soft" popular music, or "light" classical music being performed by slow strings. [3] More recent types of elevator music may be computer-generated, with the actual score being composed entirely algorithmically. [13] [14]
Elevator music is background music one is not expected to listen to, but is played in shops, elevators, over the phone while on hold, etc. Elevator music may also refer to: "Elevator Music", a track on Beck's 2006 alternative rock album The Information "Elevator Musik", a single from Currensy's 2009 hip hop album This Ain't No Mixtape
Rick White (born 5 December 1970) is a Canadian musician and singer-songwriter. [1] Born in Moncton, New Brunswick, he was a member of indie bands Eric's Trip, [2] [3] Elevator, [4] Perplexus, and The Unintended.
Graeme John Koehne AO (born 3 August 1956), is an Australian composer and music educator. He is best known for his orchestral and ballet scores, which are characterised by direct communicative style and embrace of tertian harmony.
To people of a certain age, Muzak is a word like "Kleenex," or "Xerox." It stands for that annoying, easy-listening entertainment piped into elevators and played during on-hold phone calls. And ...
Music for a French Elevator and Other Short Format Oddities by The Books (often referred to as simply Music for a French Elevator) is a 2006 release by the Books.It is a compendium on mini CD of four pieces created for the "1%" art and sound installation in the Ministry of Culture in Paris, France in 2004.