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Men at Work is a 1990 American action comedy thriller film written and directed by Emilio Estevez, who also starred in the lead role. The film co-stars Charlie Sheen, Leslie Hope and Keith David. The film was released in the United States on August 24, 1990.
The nucleus of Men at Work formed in Melbourne around June 1979 with Colin Hay on lead vocals and guitar, Ron Strykert on bass guitar, and Jerry Speiser on drums. They were soon joined by Greg Ham on flute, sax and keyboards, and then John Rees on bass guitar, with Strykert switching to lead guitar. [7]
The best-known version was then released on Columbia in 1981 as the second single from Men at Work's debut studio album Business as Usual. The hit song went to number one in their home country Australia in December 1981, and then topped the New Zealand charts in February 1982. The song topped the Canadian charts in October 1982. [11]
Australian music legend Colin Hay, who was part of 1980s hitmakers Men At Work (“Down Under”) was Thursday awarded the honorary Ted Albert Award for outstanding services to Australian music at ...
Rate Your Music (often abbreviated to RYM) is an online encyclopedia of music releases and films. Users can catalog items from their personal collection, review them, and assign ratings in a five-star rating system. The site also features community-based charts that track highest-rated releases.
We scoured through countless reviews and ratings on popular movie review websites like IMDb and Rotten Tomatoes to identify the top 10 sports movies based on consistently high ratings, variety of ...
Business as Usual is the debut studio album by Australian new wave band Men at Work, which was released in November 1981 in Australia, and April 1982 in the United States. It spent nine weeks at the top of the Australian Kent Music Report Albums Chart from December 1981 through to March 1982.
Men. It's a great title. Paired with a slick poster — a menacing man has the word plastered across his eyes like a warning label — it presents a frank and urgent context for Alex Garland's ...