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Recapitulation. Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 58-80 Play ⓘ. [1] In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition.
The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period ).
The term is most widely used [4] as an analytical convenience to denote a portion of a movement identified as an example of classical tonal sonata form. The exposition typically establishes the music's tonic key, and then modulates to, and ends in, the dominant. [5] If the exposition starts in a minor key, it typically modulates to the relative ...
Sonata form is a classical form composed of three main sections, namely exposition, development, and recapitulation. A sonata may begin with an introduction, which is commonly slower than the remainder of the movement. After that, there is an exposition, whose purpose is to present the movement's main thematic material.
A notable source of confusion is the term 'sonata': as a genre, it denotes a multi-movement composition for one or more solo instruments, while in structural terms, 'sonata form' refers to a specific three-part structure (exposition, development, recapitulation) frequently used within individual movements of larger works.
The Type 3 Sonata is the traditional textbook design, including full exposition, development, and recapitulation, each of which has its own independent rotational design (although developments are often only half-rotational). The Type 4 Sonata describes structures that others have referred to as sonata rondos.
Quite probably the most influential composer on the early development of sonata form was C.P.E. Bach, a son of J.S. Bach. Taking the harmonic and voice-leading techniques that his father had developed, he applied them to the homophonic style – allowing dramatic shifts in key and mood, while maintaining an overall coherence. C.P.E. Bach was a ...
Sonata form as a dramatic pyramid showing the three main sections—exposition, development and recapitulation. Two breakthroughs which, according to Brown, Austrian musicologist Hans Keller , Dutch musicologist Francis Maes and Soviet musicologist Daniel Zhitomirsky , came to Tchaikovsky while composing his Fourth Symphony, worked hand-in-hand ...