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Huddie William Ledbetter (/ ˈ h j uː d i / HYOO-dee; January 1888 [1] [2] or 1889 [3] – December 6, 1949), [1] better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Pick a Bale of Cotton", "Goodnight, Irene ...
Huddie William Ledbetter / ˈ h j uː d i / (January 20, 1888 – December 6, 1949) [1] was an American folk and blues musician notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced. He is best known as Lead Belly.
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But on top of that, the guitar's owner had a bill of sale signed by Stills himself, which made it even more valuable. The Gibson's owner was looking to get a whopping $110,000 for it, which ...
Stella was an American guitar brand owned by the Oscar Schmidt Company. It was founded around 1899. [1] The Stella brand consists of low and mid-level stringed instruments. Stella guitars were played by notable artists, including Robert Johnson, Lead Belly, Charley Patton, Doc Watson and Willie Nelson [2] who learned to play on one.
These include folk-style recordings in 1964 by Odetta (as a medley with "Looky Yonder", with staccato guitar strums in place of hand claps), and Alan Lomax himself. [ 14 ] Singer Dave Ray of the folk-blues trio Koerner, Ray and Glover also recorded the song unaccompanied on their 1964 album Lots More Blues, Rags and Hollers .
Negro Folk Songs as Sung by Lead Belly "King of the Twelve-string Guitar Players of the World," Long-time Convict in the Penitentiaries of Texas and Louisiana. New York: The MacMillan Company, 1936. Gracyk, Theodore. I Wanna Be Me: Rock Music And The Politics Of Identity. Pennsylvania: Temple University Press, 2001. ISBN 978-1566399036
Recorded by Lead Belly in 1940, "Cotton Fields" was introduced into the canon of folk music via its inclusion on the 1954 album release Odetta & Larry which comprised performances by Odetta [1] at the Tin Angel nightclub in San Francisco with instrumental and vocal accompaniment by Lawrence Mohr; this version was entitled "Old Cotton Fields at Home".
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