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Calypso in the Caribbean includes a range of genres, including benna in Antigua and Barbuda; mento, a style of Jamaican folk music that greatly influenced ska, the precursor to rocksteady, and reggae; spouge, a style of Barbadian popular music; Dominica cadence-lypso, which mixed calypso with the cadence of Haiti; and soca music, a style of ...
During the 1956–57 American calypso craze, the Easy Riders, Burl Ives, and other interpreters of folk music further popularized the song, generally under the title "Marianne". [2] Harry Belafonte recorded the track on at least three albums. [3] "Mary Ann" continued to be a favorite with steel bands and calypso entertainers at Caribbean ...
Calypso music is a worldwide phenomenon. This is a dynamic list of songs and may never be able to satisfy particular standards for completeness. You can help by expanding it with reliably sourced entries.
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte.
Kaiso is a type of music popular in Trinidad and Tobago, and other countries, especially of the Caribbean, such as Grenada, Belize, Barbados, St. Lucia, and Dominica, which originated in West Africa particularly among the Efik and Ibibio people of Nigeria, and later evolved into calypso music.
Calypso, with its satirical and socio-political lyrics, was developed in the 18th century as a fusion of African and French music styles. It eventually accompanied the rise of steelpan music. Steelpan were imported to Saint Vincent quickly. Calypso's political lyrics have continued to be an important part of the genre.
The music of Barbados includes distinctive national styles of folk and popular music, including elements of Western classical and religious music. The culture of Barbados is a syncretic mix of African and British elements, and the island's music reflects this mix through song types and styles, instrumentation, dances, and aesthetic principles.
He started out writing songs and performing in the calypso genre. In the 1970s, he began experimenting with calypso by blending it with the local chutney — the music of Trinidad's East Indian population — using instruments such as the sitar and tabla. The style was dubbed "soca".
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