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The Wild One is a 1953 American crime film directed by László Benedek and produced by Stanley Kramer. The picture is most noted for the character of Johnny Strabler, portrayed by Marlon Brando , whose persona became a cultural icon of the 1950s.
The Wild One [1] is a feature documentary on the Holocaust survivor and director Jack Garfein, directed by Tessa Louise-Salomé, [2] and written by Louise-Salomé and Sarah Contou-Terquem. In 2022, the movie has won the best cinematography award in a documentary feature at the Tribeca Film Festival .
László Benedek (Hungarian pronunciation: [ˈlaːsloː ˈbɛnɛdɛk]; March 5, 1905 – March 11, 1992; sometimes Laslo Benedek) was a Hungarian-born film director and cinematographer, most notable for directing The Wild One (1953).
Code Two is a 1953 American film noir crime film about men training to be motorcycle cops. It stars Ralph Meeker, Sally Forrest, Elaine Stewart, Robert Horton, and Keenan Wynn, and was directed by Fred M. Wilcox.
"Wild One" (Bobby Rydell song), 1960 "Wild One" (Faith Hill song), a 1993 country music song "Wild One" (Martha and the Vandellas song), 1964 "Wild One" (Johnny O'Keefe song), 1958, also known as "Real Wild Child" "Wild One" (Green Day song), a song by Green Day from the 2012 album ¡Dos! "Wild One", a song by Dio from the album Lock Up the ...
He had a small role as a member of Marlon Brando's motorcycle gang in the 1953 film The Wild One, and a similar bit part the same year as one of the Linda Rosa townspeople in The War of the Worlds. Moore co-starred with Dick Powell and Debbie Reynolds in the 1954 film Susan Slept Here, in which he displayed his natural gift for physical comedy.
The Wild One, probably more than any other single event, was the catalyst for creating and codifying what would become one of the weirdest nihilist phenomena in American history—the outlaw biker." 6 Motorcycling, Nihilism, and the Price of Cool.
Jack McCall, Desperado is a 1953 American Western film directed by Sidney Salkow and starring George Montgomery. [1] It portrays the historical shooting of Wild Bill Hickok by Jack McCall in 1876. [2] The film's sets were designed by the art director Paul Palmentola.