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After returning to Mexico, in 1934 Orozco painted a mural, The Catharsis, [11] at the Palacio de Bellas Artes in Mexico City. [12] Remaining in Mexico, Orozco painted in Guadalajara, Jalisco, the mural The People and Their False Leaders in the Government Palace. The frescos for the Hospicio Cabañas, which are considered his masterpiece.
Ignacio Maria Barreda, single canvas casta painting 1777; Miguel Cabrera (ca 1695–1768) [4] José del Castillo (active in the last third of the 18th century) [4] Juan Correa (ca 1645–1716) [4] Nicolás Correa (ca 1660-ca 1729) [4] Baltasar de Echave Ibía (1585/1605 – 1644) [4] Baltasar de Echave y Rioja (1632–1682) [4]
Paintings of Mexico City sites appeared beginning in the seventeenth century, most famously a painting by Cristóbal de Villalpando of the Plaza Mayor in Mexico City, ca. 1696, showing the damage to the viceregal palace from the 1692 corn riot. It also shows the Parián market, where luxury goods were sold.
Jose Encarnacion Peña, also known as Encarnacion Peña, and Soqween (1902–1979) was a Native American painter from San Ildefonso Pueblo in Santa Fe County, New Mexico. [1] [2] He is best known for his watercolors of Pueblo ceremonies [3] and he was an early participant in the San Ildefonso school and later in the "Santa Fe Studio Style" art movement.
José de Ibarra is, along with Juan Rodríguez Juárez (1675-1728), one of the most prominent figures in painting from the first half of the 18th century in New Spain, modern day's Mexico. A follower of the artistic renewal promoted by the brothers Juan and Nicolás Rodríguez Juárez, in whose workshop he collaborated, Ibarra cultivated in his ...
José María Tranquilino Francisco de Jesús Velasco Gómez Obregón, generally known as José María Velasco, (Temascalcingo, 6 July 1840 – Estado de México, 26 August 1912) was a 19th-century Mexican polymath, most famous as a painter who made Mexican geography a symbol of national identity through his paintings.
The destruction of the mission of San Sabá in the province of Texas, ca. 1765. José de Páez (1720–1790) [1] was a Mexican painter of religious images, a history painting of the destruction of Mission Santa Cruz de San Sabá in Texas, and a set of casta paintings in the 18th century.
Little is known of his personal life, but he was a well-known artist who produced a large number of extant religious paintings and portraits of high ecclesiastics in Puebla. [1] He also produced two sets of casta paintings in the 1770s, not mentioned in the works of art historians Manuel Toussaint [ es ] and Francisco Pérez Salazar, who are ...