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A mock-Victorian revisionist version of Romeo and Juliet 's final scene (with a happy ending, Romeo, Juliet, Mercutio, and Paris restored to life, and Benvolio revealing that he is Paris's love, Benvolia, in disguise) forms part of the 1980 stage-play The Life and Adventures of Nicholas Nickleby. [144]
Press illustration of act 3, scene 2, as staged in the original production. Scene 1: Laurent's cell. Roméo and Juliette, accompanied by Gertrude, go to the cell, and the wedding takes place. Laurent hopes that reconciliation between the houses of the Montagus and the Capulets may thus take place. Scene 2: a street near Capulet's palace
During post-production, several scenes were trimmed or cut. Act 5, Scene 3, in which Romeo fights and eventually kills Paris outside Juliet's crypt, was filmed but deleted from the final print. [12] According to Leonard Whiting and Roberto Bisacco, Zeffirelli cut the scene because he felt it unnecessarily made Romeo less sympathetic. [13]
Capulet's wife is the matriarch of the house of Capulet and Juliet's mother. She plays a larger role than Montague's wife, appearing in several scenes. In Act 1, Scene 3, she speaks to Juliet about the marriage of her daughter and Paris, we see this as she compares him to a book, and Juliet is the cover.
In 1968 the part of Benvolio was played by Bruce Robinson in Romeo and Juliet. In the 1996 version of Romeo and Juliet, the actor who played Benvolio was Dash Mihok. In the 2001 French musical Roméo et Juliette: de la Haine à l'Amour, the role was originated by Grégori Baquet. In the 2013 version of Romeo and Juliet, the actor who played ...
Act Scene Location Appr. # lines Synopsis I 1 A hall in Duke Solinus's Palace. 158 I 2 The mart. 105 II 1 The house of Antipholus of Ephesus. 116 II 2 A public place. 214 III 1 Before the house of Antipholus of Ephesus. 131 III 2 Before the house of Antipholus of Ephesus. 175 IV 1 A public place. 113 IV 2 A room in the house of Antipholus of ...
Friar Laurence arrives just as Juliet awakes from her chemically induced slumber. [9] He urges Juliet not to be rash and to join a society of nuns, [10] but he hears a noise from outside and then flees from the tomb. Juliet then kills herself with Romeo's dagger, completing the tragedy.
The name Mercutio was present in Shakespeare's sources for Romeo and Juliet, though his character was not well developed and he was presented as a romantic rival for Juliet. [3] The name is first used in Luigi Da Porto's 1530 Giulietta e Romeo. Da Porto briefly introduces a character named Marcuccio Guertio, a noble youth "with very cold hands ...