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The elites, however, taking advantage of a period of peace, knew how to separate political and aesthetic issues, visiting France as tourists, encouraging the migration of French craftsmen, and importing large quantities of decorative objects and rococo art pieces, while the rest of the population tended to view everything French with disdain.
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Boucher's characters in those paintings later inspired a pair of figurines created by the Sèvres Porcelain Manufactory, c. 1757 –66. [9] Marquise de Pompadour (mistress of King Louis XV), whose name became synonymous with Rococo art, was a great admirer of his work. [10]
San Diego Museum of Art: 108.3 x 82.6 Un garrochista (in French) 1795 Museo del Prado, Madrid 57 x 47 Portrait of Jose Alvarez de Toledo, Duke of Alba and Marquess of Villafranca (in French) 1795 Art Institute of Chicago: 88.9 x 68.6 Portrait of José María Álvarez de Toledo, 15th Duke of Medina Sidonia: 1795 Private collection 86 x 71
Jean-Honoré Fragonard (French: [ʒɑ̃ ɔnɔʁe fʁaɡɔnaʁ]; 5 April 1732 [1] [2] – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism.
The Swing (French: L'Escarpolette), also known as The Happy Accidents of the Swing (French: Les Hasards heureux de l'escarpolette, the original title), is an 18th-century oil painting by Jean-Honoré Fragonard in the Wallace Collection in London.
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