Search results
Results from the WOW.Com Content Network
Body proportions is the study of artistic anatomy, which attempts to explore the relation of the elements of the human body to each other and to the whole. These ratios are used in depictions of the human figure and may become part of an artistic canon of body proportion within a culture.
The body proportions of Vitruvian Man. The armspan is marked equal to the stature of the subject. Leonardo da Vinci developed rules for drawing human proportions. For example, human body height is to be the length of eight heads, with an additional one-quarter head for neck length. Leg length is to be four head lengths. [1]
The waist is typically smaller than the bust and hips, unless there is a high proportion of body fat distributed around it. How much the bust or hips inflect inward, towards the waist, determines a woman's structural shape. The hourglass shape is present in only about 8% of women. [30]
Human body shape is a complex phenomenon with sophisticated detail and function. The general shape or figure of a person is defined mainly by the molding of skeletal structures, as well as the distribution of muscles and fat . [ 1 ]
[1] [2] Thomas visualized the human body shape as an egg or ellipse rather than as the cylinder model that is envisioned in the concept of the BMI. [1] [2] The degree of circularity of an ellipse is quantified by eccentricity, with values between 0 to 1, where 0 is a perfect circle (waist circumference same as height) and 1 is a vertical line. [1]
The intermembral index is a ratio used to compare limb proportions, expressed as a percentage. [1] It is equal to the length of forelimbs (humerus plus radius) divided by the length of the hind limbs (femur plus tibia) multiplied by 100, [2] otherwise written mathematically as:
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
In 1961, Danish Egyptologist Erik Iverson described a canon of proportions in classical Egyptian painting. [2] This work was based on still-detectable grid lines on tomb paintings: he determined that the grid was 18 cells high, with the base-line at the soles of the feet and the top of the grid aligned with hair line, [3] and the navel at the eleventh line. [4]