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Some fiction may include non-fictional elements; semi-fiction is fiction implementing a great deal of non-fiction, [8] (such as a fictional description based on a true story). Some non-fiction may include elements of unverified supposition, deduction, or imagination for the purpose of smoothing out a narrative, but the inclusion of open ...
Science fiction (including comics, magazines, novels, and short stories) is speculative fiction with imagined elements that are inspired by natural sciences (physics, chemistry, astronomy, etc.) or social sciences (psychology, anthropology, sociology, etc.). Common elements of this genre include time travel, space exploration, and futuristic ...
For a text to be considered creative nonfiction, it must be factually accurate, and written with attention to literary style and technique. Lee Gutkind, founder of the magazine Creative Nonfiction, writes, "Ultimately, the primary goal of the creative nonfiction writer is to communicate information, just like a reporter, but to shape it in a way that reads like fiction."
He argued that the non-fiction novel should be devoid of first-person narration and, ideally, free of any mention of the novelist. [citation needed] He was immediately intrigued after reading the story of the Clutter murders in The New York Times, and used the events surrounding the crime as a basis for In Cold Blood (1965). He spent years ...
A setting (or backdrop) is the time and geographic location within a narrative, either non-fiction or fiction. It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world [1] or milieu to include a context (especially society) beyond the immediate surroundings of the story
In contrast to this is non-fiction, which deals exclusively in factual events (for example, biographies, histories). Semi-fiction or a fictionalization is fiction implementing a great deal of non-fiction; [1] for example, a fictional description based on a true story.
Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."
In literary interpretation, paratext is material that surrounds a published main text (e.g., the story, non-fiction description, poems, etc.) supplied by the authors, editors, printers, and publishers. These added elements form a frame for the main text, and can change the reception of a text or its interpretation by the public.