Search results
Results from the WOW.Com Content Network
A typical udu. Igbo music (Igbo: Egwu nkwa ndi Igbo) is the music of the Igbo people, who are indigenous to the southeastern part of Nigeria.The Igbo traditionally rely heavily on percussion instruments such as the drum and the gong, which are popular because of their innate ability to provide a diverse array of tempo, sound, and pitch. [1]
The people of the North are known for complex percussion instrument music, the one-stringed goje, and a strong praise song vocal tradition.Under Muslim influence since the 14th century, Hausa music uses free-rhythmic improvisation and the Pentatonic scale, similar to other Muslim Sahelian tribes throughout West Africa, such as the Bambara, Kanuri, Fulani and Songhai.
ọjà. The ọjà // ⓘ is an integral part of the rich cultural heritage of the Igbo people and continues to play a significant role in their musical traditions. The Igbo people, who are indigenous to Nigeria, are renowned for the utilization of the ọjà (flute) traditional musical instrument in cultural activities or events.
The music of Nigeria includes many kinds of folk and popular music, some of which are known worldwide. The singer and social activist Fela Kuti was instrumental in Nigeria's musical development. His personalized sound, dubbed Afrobeat , is now one of the continent's most widely recognised genres.
West African music (yellow on the map) includes the music of Senegal and the Gambia, of Guinea and Guinea-Bissau, Sierra Leone and Liberia, of the inland plains of Mali, Niger and Burkina Faso and also the coastal nations of Côte d'Ivoire, Ghana, Togo, Benin, Nigeria, Cameroon, Gabon and the Republic of the Congo as well as the islands of Cape ...
The earliest known form of popular music in Nigeria was the palm-wine music which dominated the music landscape in the 1920s. Tunde King was a prominent name in the genre. [310] [311] The 1930s saw the emergence of Onitsha Native Orchestra. They explored various social themes and trends in their native singing style. [310] [311]
The Batá drum is a double-headed hourglass drum [1] with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the Yoruba land and used for traditional and religious activities among the Yoruba of western Nigeria.
Olatunji's most notable involvement comes from composing music for both the Broadway theatrical and the 1961 Hollywood film adaptations of Lorraine Hansberry's acclaimed play, Raisin in the Sun. Olatunji's musical compositions added a rich and evocative layer to these productions, enhancing the overall emotional impact of the storytelling.