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Étude in D-sharp minor, Op. 8, No. 12, is an étude for piano composed by Alexander Scriabin in 1894. [1] Its technical challenges include numerous jumps in the left hand, repetitive chord strikes, and abundant octaves. It was a favorite encore of Vladimir Horowitz. [2]
34 Preludes and Fugues in 3 Books piano 1973–78 [cg] Book I: 14 major and minor keys on the white notes; Book II: 10 sharp keys; Book III: 10 flat keys Yevgeny Svetlanov: 12 Preludes piano 1978 [ch] 12 selected major and minor keys, in random order [202] Sembiin Gonchigsumlaa: 24 Preludes piano 1978–79 C5 [n] [203] Yasushi Akutagawa
A song book is a book containing lyrics for songs. Song books may be simple composition books or spiral-bound notebooks. Music publishers also produced printed editions for group singing. [1] [2] Such volumes were used in the United States by piano manufacturers as a marketing tool. [3]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A study published in the journal Chance looked at every field-goal attempt made in the 2002 and 2003 NFL seasons, including playoffs, and concluded that, for "pressure kicks", i.e., those made with three minutes or less remaining in the game or overtime period which would tie the game or put the kicking team in the lead, for attempted kicks in the 40–55 yard range, icing the kicker caused ...
The Kicker is an album by the American jazz vibraphonist Bobby Hutcherson, recorded in December 1963 for Blue Note but not released on the label until 1999 as a limited edition. [1] A month earlier, the same musicians recorded guitarist Grant Green 's album Idle Moments released in 1965.
Music for Piano 53–68 (for piano solo or in an ensemble) (1956) Dedicated to Grete Sultan. Music for Piano 69–84 (for piano solo or in an ensemble) (1956) Both collections were composed for the same Cunningham choreography, Solo Suite in Space and Time. Music for Piano 53–68 is dedicated to, and was first performed by, Grete Sultan. [5]
The book covers a range of topics including left-hand voicings, scales and modes, improvisation, chords and comping. Much of the book involves musical theory, as Mark Levine states in the introduction. Jazz standards are cited frequently, often with notated examples, to help to explain a particular topic or idea.
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