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The Mae Shi is an American art punk and experimental pop band from Los Angeles, California, formed in 2002. [1] They are known for making frantic and joyous music that explores dark themes using a wide variety of sounds, instruments, and music genres. [ 2 ]
"Ballet for a Girl in Buchannon" , also known as "The Ballet" and "Make Me Smile Medley", is a nearly thirteen-minute mini-rock opera/song cycle/suite from Chicago's 1970 album Chicago (also called Chicago II). It was the group's first attempt at a long-format multi-part work.
"Make Me Smile" is a song written by James Pankow for the rock band Chicago with the band's guitarist, Terry Kath, on lead vocals. [2] Part 1 of Pankow's 7-part " Ballet for a Girl in Buchannon " song cycle /suite, it was recorded for their second album, Chicago (often called Chicago II ), which was released in 1970.
Do Not Ignore the Potential is a split LP release by Los Angeles–based experimental punk band The Mae Shi and Indiana-based indie rock band Rapider Than Horsepower.
Heartbeeps is the third album by Los Angeles–based experimental punk band The Mae Shi.It was released on June 7, 2005. [3] Notable influences on the musical style of the record include Melt-Banana, Deerhoof and UK grime, as well as their adolescent love of Def Leppard, Nine Inch Nails, Dante’s Inferno and worship music.
The Banshees (band) BarlowGirl; The Barrett Sisters; BBU (band) Beach Bunny (band) Beatnik Turtle; Beethoven Project Trio; Bella Voce (group) Belmont (band) Benson Orchestra of Chicago; Big Shoulders; The Black Sheep Band; The Blacks (band) The Blank Theory; Bloodyminded; Blue Meanies (Illinois band) The Blues Brothers; Bob's Yer Uncle (band ...
Terrorbird is the debut album release by Los Angeles–based experimental punk band The Mae Shi. It was released in July 2004 on CD by 5 Rue Christine and on vinyl by Strictly Amateur Films. The original pressing of the record was limited to 500 copies.
"Colour My World" is the first significant hit by Chicago to largely abstain from their heavy woodwind and brass oriented sound. It became a popular "slow dance" song at high school proms, university dances and weddings during the 1970s. [4] [5] [6] Chicago continues to perform the song, either on its own, or as part of the Ballet.