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A significant amount of Apabhraṃśa literature has been found in Jain libraries. While Amir Khusrow and Kabir were writing in a language quite similar to modern Urdu and Hindi, many poets, especially in regions that were still ruled by Hindu kings, continued to write in Apabhraṃśa.
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Poaching was romanticised in literature from the time of the ballads of Robin Hood, as an aspect of the "greenwood" of Merry England. In one tale, Robin Hood is depicted as offering King Richard the Lion Heart venison from deer that was illegally hunted in the Sherwood Forest, the King overlooking the fact that this hunting was a capital offence.
Pages in category "Hindi-language literature" The following 49 pages are in this category, out of 49 total. This list may not reflect recent changes. A. Alha-Khand;
Nalin Vilochan Sharma, or Nalin Vilochan Sharma, was born in Patna on 18 February 1916. He was the fourth child and eldest son of his father, Ramavtar Sarma. From an early age, Nalin's father taught him such Sanskrit classics as the Amarkosh, Kalidas's Meghdoot and Suryashatakam.
She significantly impacted Hindi literature by refining the language and infusing poetry with heartfelt acceptance of Indian philosophy. Her unique blend of emotional intensity, lyrical simplicity, and evocative imagery, along with her contributions as a translator and scholar, solidified her position as a leading figure of the Chhayavad movement.
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.
Like most contemporary Indian writers, Ugra was committed to promoting both social reform and Indian independence from the British Empire. [5] In the words of Ruth Vanita, "he delighted in iconoclasm; few writers of the time match his unsentimental depictions of the family, whether urban or rural, as a hotbed of violence, neglect, hatred, sexual depravity, and oppression"; [6] "his fiction ...