Search results
Results from the WOW.Com Content Network
Download as PDF; Printable version; In other projects ... Pages in category "Paintings of the Entombment of Christ" The following 18 pages are in this category, out ...
The unfinished nature of the work reveals Michelangelo's painting technique, completing areas in turn in the manner of a fresco or tempera work, rather than sketching out the whole work and adding details, as for example Raphael or Leonardo would have done. It also shows areas of paint that Michelangelo scratched away, for example the rocks. [5]
"The first version of Michelangelo's Christ for S. Maria sopra Minerva". Burlington Magazine. 142 (1173): 740– 745. ISSN 0007-6287; Steinberg, Leo (2014). The Sexuality of Christ in Renaissance Art and in Modern Oblivion. University of Chicago Press. ISBN 978-0-226-22631-6. Wallace, William E. (1997). "Michelangelo's Risen Christ".
The following is a list of works of painting, sculpture and architecture by the Italian Renaissance artist Michelangelo. Lost works are included, but not commissions that Michelangelo never made. Michelangelo also left many drawings, sketches, and some works in poetry.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate; Pages for logged out editors learn more
Crouching Boy is a sculpture of the Renaissance Italian painter and sculptor Michelangelo, preserved today at the Hermitage Museum in Saint Petersburg. It is the only work by Michelangelo in the Hermitage. Sculpted between 1530 and 1533, it was originally intended for the tomb of the Medici family in Florence. [1]
The Entombment (Michelangelo) The Rondanini Pietà is a marble sculpture that Michelangelo worked on from 1552 until the last days of his life, in 1564. Several sources indicate that there were actually three versions, with this one being the last.
The exact date of execution of the statue is unknown, but it is usually related to the project for the tomb of Julius II.It is thought to have been intended for one of the lower niches of one of the last projects for the tomb, perhaps that of 1532 for which the so-called Captives or "Provinces" now in the Galleria dell'Accademia of Florence may have also been made.