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New York City Ballet offers tickets for $30 to select performances for patrons ages 13 to 30 at the box office, or online or by phone with an account; sales for each performance week (Tue. evening through Sun. matinee) begin at 10:00 a.m. on the Monday of that week.
Stafford became an apprentice at New York City Ballet in October 1998, and joined the corps de ballet in February 1999. He became a soloist in 2006, and taught in the School of American Ballet as a guest faculty. The following year, he was promoted to principal dancer, and joined SAB's permanent faculty.
New York City Ballet American Music Festival (9 P) C. Choreographers of New York City Ballet (1 C, 16 P) D. New York City Ballet Diamond Project (1 C, 10 P) I.
Suki Schorer is an American ballet dancer, ballet mistress, teacher, and writer. She danced with George Balanchine 's New York City Ballet from 1959 to 1972. Suki Schorer teaches at the School of American Ballet , [ 1 ] the official school of the New York City Ballet and is a Balanchine Trust répétiteur.
Born in Fairfield, Connecticut, Finlay began his dance training at the age of 8, at Ballet Academy East in New York City. During the summer of 2007, he began studying at the School of American Ballet, the official school of New York City Ballet (NYCB). He subsequently enrolled there as a full-time student. [2]
Nicholas Magallanes (November 27, 1922 – May 2, 1977) was a Mexican-born American principal dancer and charter member of the New York City Ballet. [1] Along with Francisco Moncion, Maria Tallchief, and Tanaquil Le Clercq, Magallanes was among the core group of dancers with which George Balanchine and Lincoln Kirstein formed Ballet Society, the immediate predecessor of the New York City Ballet.
Outside of the New York City Ballet, in 2021, he appeared in Twyla Tharp's Twyla Now program at the New York City Center, dancing in Cornbread and All In. [16] In 2022, he appeared in Tiler Peck's program at the City Center, dancing in King's Swift Arrow and Forsythe's The Barre Project (Blake Works II). [17]