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Each genre has its own characteristics for text structure that once understood helps the reader comprehend it. A story is composed of a plot, characters, setting, point of view, and theme. Informational books provide real-world knowledge for students and have unique features such as: headings, maps, vocabulary, and an index.
In literary criticism, close reading is the careful, sustained interpretation of a brief passage of a text. A close reading emphasizes the single and the particular over the general, via close attention to individual words, the syntax, the order in which the sentences unfold ideas, as well as formal structures. [1]
The plain text format doesn't support DRM or formatting options (such as different fonts, graphics or colors). It has excellent portability as it is the simplest e-book encoding possible; a plain text file contains only ASCII or Unicode text (text files with UTF-8 or UTF-16 encoding are also popular for languages other than English).
Narratives sequence people/characters in time and place but differ from recounts in that through the sequencing, the stories set up one or more problems, which must eventually find a way to be resolved. The common structure or basic plan of narrative text is known as the "story grammar".
In literary interpretation, paratext is material that surrounds a published main text (e.g., the story, non-fiction description, poems, etc.) supplied by the authors, editors, printers, and publishers. These added elements form a frame for the main text, and can change the reception of a text or its interpretation by the public.
In some communities, "e-text" is used much more narrowly, to refer to electronic documents that are, so to speak, "plain vanilla ASCII".By this is meant not only that the document is a plain text file, but that it has no information beyond "the text itself"—no representation of bold or italics, paragraph, page, chapter, or footnote boundaries, etc. Michael S. Hart, [2] for example, argued ...
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