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Unterberger writes that "I Ain't Gonna Eat Out My Heart Anymore" was, together with "Good Lovin'" and "Baby, Let's Wait" one of the highlights on The Young Rascals. [7] In a review for AllMusic, critic Matthew Greenwald states that this "angst-ridden teenage ballad" was the world's introduction to the Young Rascals. [30]
"Good Lovin '" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin '" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list. [6]
The Young Rascals is the debut album by the American rock band the Young Rascals. The album was released on March 28, 1966, and rose to No. 15 on the Billboard Top LPs chart and No. 10 in Cashbox . Most of the songs on The Young Rascals were covers of songs written or originally performed by other artists, with only "Do You Feel It" authored by ...
Prior to the Rascals name they were using another group name "Them". Because e was another group, which included Van Morrison using the name "Them" in the UK they dropped that name and came up with The Rascals name through the help of TV comedy star Soupy Sales whom they met through manager Billy (Amato) Smith. The Rascals were Sales' back up ...
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The album began the Rascals' first forays into the psychedelic genre that they would explore further on Once Upon a Dream. [2] Eight of Groovin ' ' s eleven songs were issued by Atlantic Records as single A- or B-sides. The three songs specific to the album are "Find Somebody", "I Don't Love You Anymore", and the Rascals' cover of "A Place in ...
The musically talented youngster created quite the love triangle as he fought Alfalfa for Darla's affection. Audiences may also know Blake from "Full House" where he played Michelle's good buddy ...
Packaging consisted of a gatefold album cover with front and back consisting of dot-based newspaper cartoon-style drawing of the four group members, with song titles in speech balloons; the interior gave complete song credits on one side, and an ensemble photograph on the other side whose artsy nature and 1968-style dress, together with the album's punning title, foretold the thematic and ...