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Joy Ethel Batchelor (12 May 1914 [1] [2] – 14 May 1991) was an English animator, director, screenwriter, and producer. She married John Halas in 1940 [3] and subsequently co-established Halas and Batchelor cartoons, whose best known production is the animated feature film Animal Farm (1954), which made her the first woman director of an animated feature since Lotte Reiniger.
Animal Farm is a satirical allegorical novella, in the form of a beast fable, [1] by George Orwell, first published in England on 17 August 1945. [2] [3] It tells the story of a group of anthropomorphic farm animals who rebel against their human farmer, hoping to create a society where the animals can be equal, free, and happy.
Animal Farm is an upcoming animated fantasy comedy-drama film produced and directed by Andy Serkis, with a script written by Nicholas Stoller from a previous draft that was co-written by Rupert Wyatt and Serkis. Based on the novella of the same name by George Orwell, the adaptation is currently in production.
1991 – Problem Child 2 (Cartoon rabies scene) 1991 – Nilus the Sandman: The Boy Who Dreamed Christmas; 1991 – Volere volare [2] 1991 – City Slickers (Wayne Fitzgerald & Bob Kurtz animated title sequence) 1991 – Freddy's Dead: The Final Nightmare (sequence set inside a video game) [28] [29] 1992 – Cool World [11] 1992 – Evil Toons
From 1936, John Halas ran a small animation unit that created commercials for theatrical distribution. Joy Batchelor, who already had experience in animation, began working with Halas in 1938 after she responded to Halas's advertisement for an assistant, and they founded Halas and Batchelor in 1940 to create war information and propaganda films.
My Gym Partner's a Monkey was a ratings success for Cartoon Network. On the series' Cartoon Network "Fridays" block two-episode premiere at 9:00 and 9:30 P.M. EST, the first episode was seen by 1.2 million and the second by 1.3 million children ages 2–11, according to preliminary data from Nielsen Media Research. [2]
After Orwell's death in 1950, his widow Sonia Orwell sold the film rights to Animal Farm to film executives Carleton Alsop and Farris Farr. Unbeknownst to her, they were actually undercover agents for the Central Intelligence Agency's Office of Policy Coordination, which was funding anti-communist art for E. Howard Hunt's Psychological Warfare Workshop.
Boxer's strength plays a huge part in keeping Animal Farm together prior to his death: the rest of the animals trusted in it to keep their spirits high during the long and hard laborious winters. Boxer was the only close friend of Benjamin, the cynical donkey. Boxer fights in the Battle of the Cowshed and the Battle of the Windmill.