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On one hand we have Orpheus gazing towards the underworld, which serves to dissolve the connection between Orpheus and his desire, Eurydice. On the other hand, Orpheus’ role in the upper world is to use his creativity and artistic talent to transform his desires into a recreated form. Lacan uses the topography of the myth to construct his ...
In Greek mythology, the Greek underworld, or Hades, is a distinct realm (one of the three realms that make up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence ( psyche ) is separated from the corpse and transported to the underworld. [ 1 ]
Hades is also a person, and he needs to get rid of those souls because he needs them to fully recover (Tantalus, Sisyphus, Ixion, and the Belides). [31] When the Furies agree to Juno's request, she happily returns to the heavens, where she is purified by Iris. [32] Orpheus travels out of the Underworld followed by the shade of his wife, Eurydice
Orpheus's mother taught him to make verses for singing. He is also said to have studied in Egypt. [56] Orpheus is said to have established the worship of Hecate in Aegina. [57] In Laconia Orpheus is said to have brought the worship of Demeter Chthonia [58] and that of the Κόρες Σωτείρας (Kóres Sōteíras; 'Saviour Maidens').
Orphic mosaics were found in many late-Roman villas. Orphism (more rarely Orphicism; Ancient Greek: Ὀρφικά, romanized: Orphiká) is the name given to a set of religious beliefs and practices [1] originating in the ancient Greek and Hellenistic world, [2] associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned.
Orpheus performing before Pluto and Persephone was a common subject of ancient and later Western literature and art, and one of the most significant mythological themes of the classical tradition. [51] The demonstration of Orpheus's power depends on the normal obduracy of Pluto; the Augustan poet Horace describes him as incapable of tears. [52]
Hades and Cerberus, in Meyers Konversationslexikon, 1888. Hades, as the god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reluctant to swear oaths in his name, and averted their faces when sacrificing to him. Since to many, simply to say the word "Hades" was frightening, euphemisms were pressed ...
Orpheus played with his lyre a song so heartbreaking that even Hades himself was moved to compassion. The god told Orpheus that he could take Eurydice back with him, but under one condition: she would have to follow behind him while walking out from the caves of the underworld, and he could not turn to look at her as they walked.