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The Latin Grammy Award for Best Tejano Album is an honor presented annually at the Latin Grammy Awards, a ceremony that recognizes excellence and creates a wider awareness of cultural diversity and contributions of Latin recording artists in the United States and internationally. [1]
The Grammy Award for Best Música Mexicana Album (including Tejano) is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, [1] to recording artists for releasing albums in the regional Mexican or Tejano genres.
Concierto Mundial Digital Live – Banda El Recodo de Cruz Lizárraga; Vivir la Vida – Banda Los Recoditos; Sin Miedo al Éxito – Banda Los Sebastianes; Llegando al Rancho – Joss Favela; Best Tejano Album. Pa' la Pista y Pa'l Pisto, Vol. 2 – El Plan. Back on Track – Ram Herrera; Histórico – La Fiebre; Incomparable – Sólido; Un ...
Then in 1959, Little Joe y La Familia was born – where those early years of beauty and hardship in Central Texas turned into Grammy gold. Now at 83, we are reminded that huge heart of his is ...
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The current title has been used since 2001. From 1993 to 1998 Tejano was included in the award for Best Mexican-American/Tejano Music Performance. The award was discontinued from 2012 in a major overhaul of Grammy categories. From 2012, this category and Best Regional Mexican Album merged to form the Best Regional Mexican or Tejano Album category.
While the Texas Talent Musician Association has given out "special lifetime" honors since 1993, the first recipients of the Lifetime Achievement Award were La Mafia when it was established at the 1999 Tejano Music Awards. The current holders of the award are David Marez and Placido Salazar, who received the award at the 2024 Tejano Music Awards.
By 2000, Peña was the most prominent female Tejano singer, and had been long-dubbed "La Princesa de la Música Tejana" (the princess of Tejano music). Her most commercially- and critically-acclaimed album, while under Q's management, was 2000's Abrázame y Bésame ("hug me and kiss me"), for which Peña was billed as a solo act but still ...