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Sumerian dignitary, Uruk, circa 3300-3000 BCE. National Museum of Iraq. [3] [4] Fragment of a Bull Figurine from Uruk, c. 3000 BCEVotive sculptures in the form of small animal figurines have been found at Uruk, using a style mixing naturalistic and abstract elements in order to capture the spiritual essence of the animal, rather than depicting an entirely anatomically accurate figure.
The art of Mesopotamia has survived in the record from early hunter-gatherer societies (8th millennium BC) on to the Bronze Age cultures of the Sumerian, Akkadian, Babylonian and Assyrian empires. These empires were later replaced in the Iron Age by the Neo-Assyrian and Neo-Babylonian empires .
Bucket and cone refer to twin attributes that are frequently held in the hands of winged genies depicted in the art of Mesopotamia, and within the context of Ancient Mesopotamian religion. The iconography is particularly frequent in art from the Neo-Assyrian Empire (911–605 BCE ) , and especially Assyrian palace reliefs from this period.
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Enkidu (Sumerian: 饞倵饞啝饞劖 EN.KI.DU 10) [6] was a legendary figure in ancient Mesopotamian mythology, wartime comrade and friend of Gilgamesh, king of Uruk.Their exploits were composed in Sumerian poems and in the Akkadian Epic of Gilgamesh, written during the 2nd millennium BC.
A seal from this period found at Failaka preserved a king's name. The short text reads, [La]'ù-la Panipa, daughter of Sumu-l臎l, the servant of Inzak of Akarum. Sumu-l臎l was evidently a third king of Dilmun from around this period. Servant of Inzak of Akarum was the king's title in Dilmun. The names of these later rulers are Amoritic. [30]
Ancient Sumerian cylinder seal impression showing the god Dumuzid being tortured in the underworld by galla demons. The ancient Mesopotamian underworld (known in Sumerian as Kur, Irkalla, Kukku, Arali, or Kigal, and in Akkadian as Er峁tu), was the lowermost part of the ancient near eastern cosmos, roughly parallel to the region known as Tartarus from early Greek cosmology.
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