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Songs Inspired by Literature, Chapter One: Justin Wells: The Odyssey: Homer [29] "Lay Down" Bursting at the Seams: Strawbs: The 23rd Psalm of the Book of Psalms from the Hebrew Bible and the Christian Old Testament [132] "The Legend of Enoch Arden" Songs Inspired by Literature, Chapter One: Diane Zeigler "The Legend of Enoch Arden" Alfred Lord ...
"Barbara Allen" (Child 84, Roud 54) is a traditional folk song that is popular throughout the English-speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.
Size of this JPG preview of this PDF file: ... The interpretation of literature: Author: Crawshaw, William Henry, 1861- [from old catalog] ... Version of PDF format: 1.5
The Song of Armouris or the Lay of Armouris (also Armoures; Greek: Ἄσμα τοῦ Ἀρμούρη) [a] is a medieval Greek heroic poem of the middle Byzantine period. Dating from the 11th century, it is probably one of the oldest surviving Acritic songs, narrative heroic songs or ballads celebrating the lives and exploits of the Byzantine Akritai.
Dichterliebe, A Poet's Love (composed 1840), is the best-known song cycle by Robert Schumann (Op. 48).The texts for its 16 songs come from the Lyrisches Intermezzo by Heinrich Heine, written in 1822–23 and published as part of Heine's Das Buch der Lieder.
Large sets of many individual character pieces, intended to be played as a single piece of music, were not uncommon; Schumann's many works of this form (including Kreisleriana and Carnaval) are the best known examples. In the late 19th and twentieth centuries, as piano music became ambitious and larger in scale, the scope of what a character ...
The Songs of Experience was published in 1794 as a follow-up to Blake's 1789 Songs of Innocence. [4] The two books were published together under the merged title Songs of Innocence and of Experience, showing the Two Contrary States of the Human Soul: the author and printer, W. Blake [4] featuring 54 illustrated plates.
The song begins with a falling tear motif, starting on an A and descending to an E by step on the text "Flow, my tears". This may have been borrowed from an Orlando di Lasso motet or Luca Marenzio madrigal (this type of motif was common in Elizabethan music to signify grief), in addition to other borrowings in the piece. [ 3 ]