Search results
Results from the WOW.Com Content Network
A traffic jam is a colloquial term for traffic congestion. Traffic jam may also refer to: Traffic Jam, a 1979 Italian film "Traffic Jam" (Malcolm in the Middle episode) "Traffic Jam" (King of the Hill episode) "Traffic Jam", a song by "Weird Al" Yankovic from the album Alapalooza "Traffic Jam", a song by Bappi Lahiri from the Hindi film Rock Dancer
A Transjakarta articulated bus at Bundaran HI Astra Station. Transjakarta (stylised in all-lowercase, often erroneously called Busway, [5] sometimes shortened as TJ and branded as TiJe) or Jakarta BRT is a bus rapid transit (BRT) system in Jakarta, Indonesia.
The Last Great Traffic Jam is a live album and DVD from the English rock band Traffic. [1] The album was recorded on the 1994 reunion tour supporting Far from Home.
A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined arrangements.
Traffic Jam (Italian: L'ingorgo - Una storia impossibile) is a 1979 Italian satirical comedy-drama film directed by Luigi Comencini. [1] It was entered into the 1979 Cannes Film Festival . [ 2 ] The film, although uncredited, is based on the 1966 short story "L'Autoroute du sud" by Julio Cortázar .
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.