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Music from the Motion Picture Juno is the soundtrack for the 2007 film Juno. The album compiles mostly indie rock [1] songs from the 2000s, and was released by Rhino Entertainment on December 11, 2007. [2] [3] It received enough critical and commercial success that other compilations and expanded re-releases have been released in subsequent years.
Tallulah had its world premiere at the 2016 Sundance Film Festival on January 23, 2016 and was released on Netflix on July 29, 2016. It received positive reviews, and the performances of Page and Janney were praised. The film marked the third collaboration between Page and Janney, having last worked together in Juno (2007) and Touchy Feely ...
Juno's soundtrack, Music from the Motion Picture Juno, was released December 11, 2007, [163] features nineteen songs from Barry Louis Polisar, Belle & Sebastian, Buddy Holly, Cat Power, The Kinks, Mott the Hoople, Sonic Youth and The Velvet Underground, and most prominently Kimya Dawson and her former bands The Moldy Peaches and Antsy Pants.
Netflix is an American global on-demand Internet streaming media provider, that has distributed a number of original programs, including original series, specials, miniseries, documentaries and films. Netflix's original films also include content that was first screened on cinematic release in other countries or given exclusive broadcast in ...
The song became available as the album's 10th track on August 23, 2024, when it was released by Island Records. A 1980s-style-disco-influenced pop song, "Juno" has lyrics about Carpenter's intense attraction to a man that makes her desire getting pregnant with his child. Music critics were generally positive about "Juno" and praised its production.
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The Last Song is a 2010 American coming-of-age teen romantic drama film developed alongside Nicholas Sparks' 2009 novel of the same name. The film was directed by Julie Anne Robinson in her feature film directorial debut and co-written by Sparks and Jeff Van Wie.
With 'Will & Harper,' the 'SNL' star and his friend Harper Steele face a new twist on an old challenge in LGBTQ+ representation: How to educate cis viewers without alienating trans ones.