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In 1986 Vari-Lite introduced a new series of lighting fixtures and control consoles. They referred to the new system as their Series 200, with the new lights designated "VL-2 Spot Luminaire", and "VL-3 Wash Luminaire". The Series 200 system was controlled by the Artisan console. Vari-Lite retroactively named the original system "series-100".
The sulfur lamp (also sulphur lamp) is a highly efficient full-spectrum electrodeless lighting system whose light is generated by sulfur plasma that has been excited by microwave radiation. They are a particular type of plasma lamp, and one of the most modern. The technology was developed in the early 1990s and appeared promising, but was not a ...
The TRS-80 series of computers were sold via Radio Shack & Tandy dealers in North America and Europe in the early 1980s. Much software was developed for these computers, particularly the relatively successful Color Computer I, II & III models, which were designed for both home office and entertainment (gaming) uses.
In the US lighting industry, foot-candles are a common unit of measurement used by architects to calculate adequate lighting levels. Foot-candles are also commonly used in the museum and gallery fields in the US, where lighting levels must be carefully controlled to conserve light-sensitive objects such as prints, photographs, and paintings, the colors of which fade when exposed to bright ...
The internals of the TRS-80 Model 100. The left half is the back. Processor: 8-bit Oki 80C85, CMOS, 2.4576 MHz; Memory: 32 KB ROM; 8, 16, 24, or 32 KB static RAM.Machines with less than 32 KB can be expanded in 8 KB increments of plug-in static RAM modules.
The major advantage of a lighting control system over stand-alone lighting controls or conventional manual switching is the ability to control individual lights or groups of lights from a single user interface device. This ability to control multiple light sources from a user device allows complex lighting scenes to be created.
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The system was notably used by Mute Records label head Daniel Miller, who helped produce Depeche Mode's A Broken Frame; and by The Human League (MK1 incarnation). ). Specifically, the albums Reproduction and Travelogue used a large System 100 (1 x 101, 2 x 102, 2 x 104, 1 x 103) multitracked to provide nearly all the arrangements, including drums an