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Concertino "In dich hab' ich gehoffet, Herr" for cello and organ; Zsolt Gárdonyi. Variations on a Hungarian Chorale; Lothar Graap "Befiehl du deine Wege", Variations for cello and organ "Hinunter ist der Sonne Schein", Chorale suite for cello and organ; Percy Grainger. The Nightingale; Sofia Gubaidulina. In Croce; René Guillou. Adagio ...
Arabic Melody for cello and piano, Op. 4 No. 5; from Five Romances (songs) (1882–85) Elegy in D flat major for cello and piano (Une Pensee a F. Liszt), Op. 17 (1888) Two Pieces for cello and piano, Op. 20A (1888) (Melodie; Spanish Serenade) Chant du Ménestrel for cello and piano, Op. 71 (1900) Reinhold Glière. Ballade
In the New Orleans jazz tradition, the song is a standard dirge played in so-called "jazz funerals". The American composer Charles Ives quoted the hymn in several works, most notably in the finale of his Orchestral Set No. 2, written between 1915 and 1919. Translations of the text exist in a number of world languages.
The Lone Cello (1998) for 'cello solo; Robert Moevs. Heptachronon (1969) Alan Mills. Song & Dance for solo cello (2007) [31] Roberto Molinelli. Crystalligence (commissioned by Enrico Dindo) (2005) Dexter Morrill. Fantasy (1995) [32] Robert Muczynski. Gallery: Suite (on paintings of Charles Burchfield) (1966) Isabel Mundry. Komposition (1992/93 ...
The last verse of the hymn was written as an imitation of George Herbert's The Temple poem as a tribute by Crossman to Herbert. [3] In the 21st century, the language of the hymn is sometimes updated by hymnal editors, a move which is often lamented by traditional hymnologists who feel that the newer language loses the original meaning and ...
This hymnal "consisted entirely of versions of Latin hymns, designed for use as Office hymns within the Anglican Church despite the fact that Office hymns had no part in the authorized liturgy. The music was drawn chiefly from plainchant", as was the case with the Veni Emmanuel tune for "O Come, O Come Emmanuel", the combination of which has ...
The Prelude Op. 28, No. 20, in C minor by Frédéric Chopin has been dubbed the "Funeral March" by Hans von Bülow but is commonly known as the "Chord Prelude" due to its slow progression of quarter note chords. [1] It was written between 1831 and 1839. [2] The prelude was originally written in two sections of four measures, ending at m. 9.
Original print of The day Thou gavest, Lord, is ended from Arthur Sullivan's Church hymns with tunes (1874) St Clement is a popular British hymn tune, most commonly set to John Ellerton's hymn The Day Thou Gavest, Lord, is Ended. The tune is generally credited to the Rev. Clement Cotteril Scholefield (1839–1904). [1]
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