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Arabic Melody for cello and piano, Op. 4 No. 5; from Five Romances (songs) (1882–85) Elegy in D flat major for cello and piano (Une Pensee a F. Liszt), Op. 17 (1888) Two Pieces for cello and piano, Op. 20A (1888) (Melodie; Spanish Serenade) Chant du Ménestrel for cello and piano, Op. 71 (1900) Reinhold Glière. Ballade
The last verse of the hymn was written as an imitation of George Herbert's The Temple poem as a tribute by Crossman to Herbert. [3] In the 21st century, the language of the hymn is sometimes updated by hymnal editors, a move which is often lamented by traditional hymnologists who feel that the newer language loses the original meaning and ...
The Lone Cello (1998) for 'cello solo; Robert Moevs. Heptachronon (1969) Alan Mills. Song & Dance for solo cello (2007) [31] Roberto Molinelli. Crystalligence (commissioned by Enrico Dindo) (2005) Dexter Morrill. Fantasy (1995) [32] Robert Muczynski. Gallery: Suite (on paintings of Charles Burchfield) (1966) Isabel Mundry. Komposition (1992/93 ...
Kingdom songs are the hymns sung by Jehovah's Witnesses at their religious meetings.The current hymnal used by the organization is "Sing Out Joyfully" to Jehovah. In addition to the current and previous hymnals containing sheet music and lyrics, releases in various audio formats have included vocals in several languages, piano instrumentals, and orchestral arrangements.
Original print of The day Thou gavest, Lord, is ended from Arthur Sullivan's Church hymns with tunes (1874) St Clement is a popular British hymn tune, most commonly set to John Ellerton's hymn The Day Thou Gavest, Lord, is Ended. The tune is generally credited to the Rev. Clement Cotteril Scholefield (1839–1904). [1]
Songs and arias by Johann Sebastian Bach are compositions listed in Chapter 6 of the Bach-Werke-Verzeichnis (BWV 439–524), which also includes the Quodlibet. [1] Most of the songs and arias included in this list are set for voice and continuo .
The Cello Sonata No. 1 in C minor, Op. 32, is a cello sonata composed by Camille Saint-Saëns in 1872. Dedicated to the French cellist Jules Lasserre, the sonata was premiered on 7 December 1872 at the Société nationale de musique in Paris, with Auguste Tolbecque on cello and the composer at the piano.
Schumann turned to chamber music on the smaller scale; all the chamber music of this period was for piano and one or two other instruments. Schumann composed three duets, the first he ever completed, in 1849: the Five Pieces , the Adagio and Allegro for Horn and Piano and the Fantasiestücke for Clarinet, Op. 73.
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