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"Raining in Manila" is a song by the Filipino rock band Lola Amour and the lead single from their self-titled debut studio album (2024). It was released on June 14, 2023, by Warner Music Philippines .
Lola Amour is a Filipino rock band formed in Muntinlupa, Metro Manila, Philippines in 2013.The band consists of Pio Dumayas on lead vocals and rhythm guitar, David Yuhico on background vocals and keyboards, Manu Dumayas (who had previously served as a session musician for the band from 2017 to 2024) [1] on bass, trumpet, and backing vocals, Zoe Gonzales on lead guitar, Angelo Mesina on ...
This is a list of songs about Manila, set there, or named after a location or feature of the city. ... "Raining in Manila" by Lola Amour (2023) "Saan" by Maki ...
"Raining in Manila" by Lola Amour was hailed as the Song of the Year, while Unique Salonga's album Daisy was hailed as the Album of the Year. [22] [23] December 11 – Former Tawag ng Tanghalan finalist Sofronio Vasquez wins the 26th season of The Voice. [24] December 12 – Music magazine Rolling Stone Philippines is officially launch. [25]
This article is within the scope of WikiProject Songs, a collaborative effort to improve the coverage of songs on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks. Songs Wikipedia:WikiProject Songs Template:WikiProject Songs song
Manila’s notorious traffic became a major theme of Coldplay’s visit to the Philippines, with frontman Chris Martin penning a song about the “insane” jams, and the country’s leader coming ...
It's Raining may refer to: It's Raining (album), a 2004 album by Rain; ... It's Raining (Irma Thomas song), 1962 "It's Raining", a 1978 song by Darts (band)
The song experienced commercial success in South Korea; Billboard said that "Rain rose to prominence as a soloist shortly after he released his first album Bad Guy in 2002 and saw major success with singles like 2004's 'It's Raining' and 2008's 'Rainism.'" [4] Writing for Tidal magazine, Jeff Benjamin regarded it as a key track that represented K-pop's sonic and artistic growth, saying that ...