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For many centuries, it was the most sought-after goal in alchemy. The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, divine illumination, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus ("Great Work"). [3]
Philosophers' wool/nix alba (white snow)/Zinc White – zinc oxide, formed by burning zinc in air, used as a pigment; Plumbago – a mineral, graphite; not discovered in pure form until 1564; Powder of Algaroth – antimony oxychloride, formed by precipitation when a solution of butter of antimony and spirit of salt is poured into water.
Paracelsus believed that alkahest was, in fact, the philosopher's stone. Dutch chemist and physician Herman Boerhaave (1668–1738), in his textbook Elementa Chymiae (1732), did not think alkahest was the philosopher's stone, but of greater importance and value than the stone. [7] After the 18th century alkahest was taken less seriously over time.
Alchemy was a series of practices that combined philosophical, magical, and chemical experimentation. One goal of European alchemists was to create what was known as the Philosopher’s Stone, a substance that when heated and combined with a non precious metal like copper or iron (known as the “base”) would turn into gold.
The three phases of the magnum opus: nigredo, albedo and rubedo. (from Pretiosissimum Donum Dei, published by Georges Aurach in 1475). Rubedo is a Latin word meaning "redness" that was adopted by alchemists to define the fourth and final major stage in their magnum opus. [1]
Multiplication is the process in Western alchemy used to increase the potency of the philosopher's stone, elixir or projection powder. It occurs near the end of the magnum opus in order to increase the gains in the subsequent projection. George Ripley gives the following definition of multiplication: [1]
'A Short Summary Tract: Of the Great Stone of the Ancients') is a widely reproduced alchemical book attributed to Basil Valentine. It was first published in 1599 by Johann Thölde who is likely the book's true author. [1] It is presented as a sequence of alchemical operations encoded allegorically in words, to which images have been added.
Thaumaturgy (/ ˈ θ ɔː m ə t ɜːr dʒ i / ⓘ) is the practical application of magic to effect change in the physical world. Historically, thaumaturgy has been associated with the manipulation of natural forces, the creation of wonders, and the performance of magical feats through esoteric knowledge and ritual practice.